Films Shunned by Today's Standards: A Reflection on Offensiveness and Morality
Our views of what is right, wrong, acceptable, and obscene are constantly evolving. This evolution is reflected in the way we perceive and critique films throughout history. Some films that were once celebrated may now be considered too offensive, and this shift is a direct result of cultural changes and evolving moral standards.
The Birth of a Nation
The Birth of a Nation (1915) is perhaps the most notorious example of a film that has fallen from grace due to its explicit glorification of the Klu Klux Klan. While it was groundbreaking in its time, portraying the Klansmen as heroic figures, it is now seen as perpetuating harmful stereotypes and promoting hate. The offensive and racist depictions of African Americans in the film are unacceptable by today's standards.
Blazing Saddles
Blazing Saddles (1974), directed by and starring Mel Brooks, is known for its unapologetic use of the racial slur "nigger." While the film's intention was to satirize racism and its tropes, it itself has become a target of criticism. The jokes and references to offensive stereotypes may have been current in the 1970s, but they are no longer seen as acceptable in today's climate. Many view the film's repeated use of the slur as deeply harmful and insensitive.
Robin Hood: Men in Tights
Margaret Wiley's Robin Hood: Men in Tights (1993) is often cited for its out-of-touch and outdated humor, particularly its gay jokes. Even in the 1990s, the jokes were often seen as stale and unnecessary, relying on outdated stereotypes. The film's portrayal of these characters and its general comedic tone are no longer viewed favorably, especially given the sensitivity around LGBTQ issues today.
My Fair Lady
My Fair Lady (1964), a beloved musical with an interesting premise, has become a less favorable film due to its somewhat misogynistic ending. Based on George Bernard Shaw's play Pygmalion, the film critiques sexist and misogynistic attitudes, only to ultimately reinforce them in its final moments. This ending is particularly troubling in today's era of feminism, where challenges to gender norms and inequality are more prevalent.
Thelma and Louise
Thelma and Louise (1991) is another film that has faced criticism for its portrayal of violence and its themes. While the film's heroine, Geena Davis, heroically intervenes to save Susan Sarandon from a sexual assault at gunpoint, the subsequent actions—going on a crime spree and ultimately committing suicide to avoid legal repercussions—raise ethical questions. The film's ending, involving a cross-country rampage and subsequent suicide, is now often viewed as flawed and problematic by today's standards.
Evolution of Morals
It is important to recognize that our cultural standards and moral judgments change over time. What was once considered acceptable or even progressive may now be seen as offensive or harmful. Films that were once celebrated for pushing boundaries and challenging societal norms may now be viewed through a different lens, particularly in light of new social and cultural movements.
Moreover, as society becomes more aware of issues such as racism, sexism, and homophobia, it becomes crucial for filmmakers to be mindful of the impact of their work on diverse audiences. This shift in perspective not only affects how films are perceived but also influences the way they are created and the messages they convey.
Understanding this evolution is important for both film critics and filmmakers. By recognizing and addressing these changes, we can better appreciate the historical context of films while also ensuring that future works are more sensitive and inclusive.