The Case for Original Singing Competitions
Why is there no talent show where singers are only allowed to sing originals? This idea has sparked debate among music enthusiasts and industry professionals alike. In fact, Irsquo;m of the opinion that such a show, allowing only original songs, could provide a platform for gems like Grace Vanderwaal. This article delves into the reasons behind the lack of such competitions and explores the potential benefits and drawbacks.
Challenges of Singing Competitions
One primary reason why there are no talent shows focusing solely on original singing is the complexity inherent in evaluating such performances. Singing competitions such as ldquo;Americarsquo;s Got Talentrdquo; are already grappling with the issue of comparing a diverse range of acts, from magicians to dancers to singers. The difficulty lies in creating a fair and meaningful comparison based on varied talents and genres. Standardizing such evaluations would be extremely challenging, as judges would need to consider not just vocal ability but also composition, musical theory, and songwriting skills.
The Role of Open Mic Nights
Open mic nights are a more practical approach for aspiring artists to showcase their original songs. These events provide a baseline for musicians to perform their compositions without the pressure of broader competition criteria. Fans and industry professionals can gauge the artistsrsquo; skills in real-time, often through word of mouth and community endorsement. This local platform allows for a more natural evaluation process, where a musicianrsquo;s talent can be judged based on their live performance and originality.
Popularity vs. Originality
Singing competitions often focus on popularity, where the publicrsquo;s preference guides the outcome. Most viewers lack the necessary vocal training to judge technical aspects accurately, leading to a flawed selection process based on superficial appeal. Popular music, by definition, appeals to a wide audience, often relying on formulaic structures and catchy hooks. This inherent limitation means that even an excellent original composition can be overshadowed by the sheer popularity of a familiar song.
The Potential of Original Material
Including original material in talented singer competitions is undeniably valuable. However, it should not be the sole basis for evaluation in the early rounds. Competitions like the ldquo;Pop Gamerdquo; have pioneered a hybrid approach, allowing artists to perform original material alongside challenges to cover well-known songs. This mix can provide a more balanced and comprehensive assessment of an artistrsquo;s abilities.
The controversy surrounding the use of original material in competitions often centers around concerns over intellectual property. Preventing others from repurposing or stealing original performances can create an atmosphere of competition that focuses more on style and presentation than on true artistic talent. However, once a significant audience has been established through recognizable and well-received covers, shifting the focus to original material can highlight emerging artistsrsquo; unique voice and creativity.
Conclusion
While there are valid concerns with creating competitions solely focused on original singing, the potential benefits cannot be overlooked. Catering to original talent can provide a unique platform for artists like Grace Vanderwaal, who might be overlooked in popular music competitions. Balancing between well-received covers and the spotlight on originality can lead to a more comprehensive and inclusive competition environment. Letrsquo;s hope the future of talent shows embraces the artistry behind original composition, rewarding those who can blend passion and skill with new and exciting music.