Troubleshooting Indian TV Serials: Unveiling Repetitive and Illogical Storylines
The Indian television industry has a rich history, offering a plethora of shows that cater to diverse audiences. However, over the years, viewers have noticed certain patterns and themes that seem to be repeated across multiple serials, leading to a sense of monotony. This article delves into the most common issues associated with Indian TV serials, focusing on repetitive and illogical storylines.
The Case of Modern Punjabi Serials: MEGHA BARSENGE and Udaariyan
Once upon a time, viewers switched channels and stumbled upon a TV show called “MEGHA BARSENGE” on Colors TV. The concept explored the idea of Punjabi males migrating to foreign countries while getting married, only to lose touch with their Punjabi female counterparts post-marriage. What was striking was that this phenomenon was supposed to have occurred approximately 20 years ago. Fast forward to the present, shows like “Udaariyan” have taken up the challenge of depicting today's reality in Punjab, where Punjabi girls are increasingly looking towards life in foreign countries.
The Harsh Reality of Repetitive Storylines
One of the most significant issues viewers face is the repetitive and illogical storylines that seem to dominate the airwaves. The ‘all-rounder Bahu’ is a quintessential archetype: portrayed as too pure and good to be real, she is typically poor and untainted by worldly wisdom. Her husband, portrayed as a wealthy tycoon, does nothing but embarrass himself and his family, spending his days at home managing a property built by his father. Meanwhile, the elderly but immortal Maa and Dadi offer teachings and traditions that feel archaic and disconnected from modern life.
The Plagiarism of Love Stories
Another critical problem is the overabundance of love stories. Serials like Balika Vadhu have popularized love stories to the extent that they have become a staple in the industry. Concepts such as re-birth (Punar Janm) are not uncommon, and young villains often wear Western outfits, adding a touch of modernity to their archaic behavior. On the other hand, the hero is frequently in love with the girl who is presented as pure and simple, despite her lack of real-world knowledge or skills.
The storyline in most Indian TV serials revolves around the same set of characters and narratives. The young villains are often dressed in Western outfits, contrasting with the old villains, who are mostly portrayed as the father or paternal aunt, wearing traditional bindis and dark makeup. The Bahu, known for her purity and goodness, is usually uneducated and displays a naivety that is often criticized by viewers.
Conclusion
The Indian television industry may be rich in content, but it is also plagued by repetitive and illogical storylines. While there is a core essence to the Punjabi culture and traditions that these shows aim to capture, they often fall short in providing fresh and engaging narratives. As viewers, we hope to see more innovation and creativity in the storyline of Indian TV serials. Only then can the industry truly meet the expectations of its diverse audience.